- This definitive digital edition makes it immediately evident Rumor and Sigh ensures as a very special album - a cohesive, varied, and fun set spiked with some of Thompson's finest compositions and an exoticism that extends to the modest use of the hurdy-gurdy, mandolin, concertina, and crumhorn.
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- Richard Thompson Rumor And Sigh Rar 9/9/2019 While Rumor and Sigh is quite slick by Thompson's standards, its clean lines and bright mix serve both the songs and the bandleader quite well, and make Thompson's tunes sound like the radio hits they've always deserved to be.
Rumor and Sigh | ||||
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Studio album by | ||||
Released | May 1991 | |||
Recorded | 1991 | |||
Studio | Sunset Sound, Los Angeles and Konk Studios, London | |||
Genre | Folk rock, alternative rock | |||
Length | 61:19 | |||
Label | Capitol | |||
Producer | Mitchell Froom | |||
Richard Thompson chronology | ||||
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Rumor and Sigh is the sixth solo album by British singer/songwriter Richard Thompson, released in 1991 on the Capitol label. The album was a commercial success for Thompson, and featured his biggest American hit single 'I Feel So Good', as well as the fan favourite '1952 Vincent Black Lightning”.
The album earned Thompson a nomination for the Grammy Award for Best Alternative Music Album in 1992.
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It was voted number 665 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).[1]
Songs[edit]
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The American spelling of the word 'Rumor' is due to the fact that Thompson took the title of his album from a posthumously published poem by Archibald MacLeish: 'Rumor and sigh of unimagined seas/ Dim radiance of stars that never flamed.'[2]
Patrick Humphries described the central character of the song 'I Feel So Good' as a ne'er do well who has been freed from prison and expresses his 'bullying exultation at his freedom. In an interview, Thompson explained, 'If you make someone the subject of a song you're almost inevitably making him a hero. But he obviously isn't. Nor is he an anti-hero. He's no worse than the society that created him. It's a very twentieth century moral dilemma.'[3]
'Grey Walls' was inspired by Colney Hatch Mental Hospital in Barnet, North London, which Thompson passed on the bus as a teenager. The song describes the disturbing effect of ECT on psychiatric patients. Thompson has also called the song a comment on the effects of Thatcherism—in the context of closing down mental institutions and selling the facilities for profit.[3]
Thompson has said he was inspired to write 'Don't Sit On My Jimmy Shands' after hearing a story of Bob Dylan at a party, hogging the record player so he could play only Robert Johnson recordings. Thompson planned his song as a tongue in cheek tribute to Jimmy Shand, Scottish musician who achieved popularity in the 1930s and 40s by arranging traditional Scottish songs for his accordion band. Shand's music loomed large in Thompson's childhood.[4]
Thompson wrote 'Mother Knows Best' to mark the resignation of Margaret Thatcher and express his feelings about the departed Conservative Prime Minister: 'She says 'Bring me your first-born. And I'll suck their blood/ Bring me your poor/ I can trample in the mud'.'[5]
Although a teetotaller,[4] Thompson wrote 'God Loves A Drunk' to suggest that alcoholism can be a path to spiritual ecstasy. He has described the song as 'a swipe at Mormons and Seventh Day Adventists, those people with the polyester suits, those people who are very clean and neat, which means they must be alright with God.'[4]
The track '1952 Vincent Black Lightning,' despite not being issued as a single, became a fan favourite and is one of Thompson's most highly acclaimed solo compositions. In 2011 Time magazine listed the song in its 'All TIME 100 Songs', a list of 'the most extraordinary English-language popular recordings since the beginning of TIME magazine in 1923.'[6]
Release[edit]
The album peaked at number 32 on the UK Albums Chart and was Thompson's first Top 40 album in the UK.[7] The album did not chart in the US, although the lead single 'I Feel So Good' peaked at number 15 on the Billboard Modern Rock Tracks chart, his second and highest charting single on that chart.[8] Its follow-up single, 'Read About Love' failed to chart.
Two videos, for 'I Feel So Good'[9] (animation inspired by the cover artwork) and album track 'I Misunderstood'[10] were produced to promote the album. Thompson also promoted the album's American release by performing 'I Feel So Good' on Late Night with David Letterman.[11]
The album was nominated for the Grammy Award for Best Alternative Music Album in 1992, but lost to R.E.M.'s Out of Time.[12]
Track listing[edit]
All songs written by Richard Thompson:
No. | Title | Length |
---|---|---|
1. | 'Read About Love' | 3:34 |
2. | 'I Feel So Good' | 3.21 |
3. | 'I Misunderstood' | 4.05 |
4. | 'Grey Walls' | 4:21 |
5. | 'You Dream Too Much' | 4:06 |
6. | 'Why Must I Plead' | 4:58 |
7. | '1952 Vincent Black Lightning' | 4:43 |
No. | Title | Length |
---|---|---|
8. | 'Backlash Love Affair' | 4:49 |
9. | 'Mystery Wind' | 4:35 |
10. | 'Don't Sit On My Jimmy Shands' | 4:26 |
11. | 'Keep Your Distance' | 4:11 |
12. | 'Mother Knows Best' | 4:59 |
13. | 'God Loves A Drunk' | 4:43 |
14. | 'Psycho Street' | 4:28 |
Personnel[edit]
Musicians[edit]
- Richard Thompson – guitar, vocals, mandolin, hurdy-gurdy
- Mitchell Froom – piano, Hammond organ, portative organ, Chamberlin, celeste, clavioline, echo harp
- Jerry Scheff – bass guitar
- Mickey Curry – drums (1, 2, 5, 8, 9 & 11)
- Jim Keltner – drums
- Alex Acuña – percussion
- Christine Collister and Clive Gregson – backing vocals
- John Kirkpatrick – accordion, concertina, backing vocals
- Phil Pickett – shawm, crumhorn, curtal
- Simon Nicol – guitar
- Aly Bain – fiddle
Technical[edit]
- Recording engineer: Dave Leonard; 2nd engineer: Mike Kloster
- Overdubs recorded: Lance Phillips, RAK Studios, London and Tchad Blake, Sunset Sound Factory
- Mixed: Tchad Blake, Ocean Way Studios, Los Angeles; 2nd engineer: Paula 'Max' Garcia
- Mastered: Bob Ludwig at Masterdisk
- Vincent Motorcycle: kindly loaned by Dick Busby
Artwork[edit]
- Cover Art: Laura Levine
- Photography: Laura Levine
- Set Design: Kelly Ray
- Art Direction: Tommy Steele
- Design: Jeffery Fey
References[edit]
- ^Colin Larkin, ed. (2000). All Time Top 1000 Albums (3rd ed.). Virgin Books. p. 217. ISBN0-7535-0493-6.
- ^'What is the origin of the title Rumor And Sigh?'. rtlist.net. April 10, 2015. Retrieved August 3, 2016.
- ^ abHumphries, 1996, Richard Thompson: Strange Affair, p.275
- ^ abcHumphries, 1996, Richard Thompson: Strange Affair, p.277
- ^Humphries, 1996, Richard Thompson: Strange Affair, p.276
- ^'All-TIME 100 Songs: 1952 Vincent Black Lightning' (retrieved on Feb. 26, 2014).
- ^UK Albums Chart - Richard Thompson
- ^'Richard Thompson Billboard chart'. Billboard. Retrieved July 19, 2016.
- ^emimusic (12 March 2009). 'Richard Thompson - I Feel So Good'. Retrieved 18 September 2016 – via YouTube.
- ^joni36 (8 June 2008). 'Richard Thompson - I Misunderstood - Video 1991'. Retrieved 18 September 2016 – via YouTube.
- ^joni36 (17 August 2007). 'Richard Thompson - I Feel So Good - Letterman 91'. Retrieved 18 September 2016 – via YouTube.
- ^Pareles, Jon (January 9, 1992). 'Grammy Short List: Many For a Few'. The New York Times. The New York Times Company. Retrieved April 30, 2010.
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Sources[edit]
- Humphries, Patrick (1996). Richard Thompson: Strange Affair - The Biography. Virgin Books. ISBN0-86369-993-6.
External links[edit]
Richard Thompson – Rumor And Sigh (1991) {2018, MFSL Remastered, Hi-Res SACD Rip}
SACD Rip | ISO / DSD / 1bit / 2.8224MHz | FLAC Tracks / 24bit / 88.2kHz
Hybrid SACD | Full Scans Included
Total Size: 2.48 GB (ISO) + 1.12 GB (FLAC) | 3% RAR Recovery
Label: MFSL UltraDisc UHR | USA | Cat#: UDSACD 2194 | Genre: Folk Rock, Alternative Rock
While Richard Thompson’s devotees will tell you the man is a triple-threat genius — passionate vocalist, compelling songwriter, and sterling guitarist — even his most loyal supporters will concede that the dour nature of his songs and the no-frills production of many of his albums make the bulk of his catalog tough sledding for the uninitiated. Given this, 1991’s Rumor and Sigh is arguably the best album for those wanting to sample Thompson’s work for the first time. It captures Thompson at the top of his form on all fronts, but also gives his songs just enough polish to make them approachable for the unconverted, and though it’s several shades darker than the average adult-contemporary album, it honors Thompson’s obsession with romantic despair and the less pleasant quirks of fate without sounding depressing in the process. Producer Mitchell Froom tricked up Thompson’s sound a bit, but his approach added to the material rather than interfering with it; the topsy-turvy keyboards and sharp, snapping drum sound on “Gray Walls” and “You Dream Too Much” actually add to their narrative drama, and Froom coaxed some of Thompson’s most soulful vocals on “Why Must I Plead” and “I Misunderstood.” Thompson actually gets funny on “Don’t Sit On My Jimmy Shands” and the darkly hilarious “Psycho Street,” and Thompson fans who like his work straight with no chaser will be knocked flat by “1952 Vincent Black Lightning,” perhaps the best traditional-style number in his songbook, and the harrowing “God Loves A Drunk,” an unnerving tale of several kinds of addiction. While Rumor and Sigh is quite slick by Thompson’s standards, its clean lines and bright mix serve both the songs and the bandleader quite well, and make Thompson’s tunes sound like the radio hits they’ve always deserved to be. ― Allmusic
Additional Info:
• Original Released Date: May 1991
• Released Date: June 14, 2018
• More info
Tracklist
01. Read About Love – 03:37
02. I Feel So Good – 03:22
03. I Misunderstood – 04:09
04. Grey Walls – 04:25
05. You Dream Too Much – 04:06
06. Why Must I Plead – 05:01
07. 1952 Vincent Black Lightning – 04:44
08. Backlash Love Affair – 04:49
09. Mystery Wind – 04:36
10. Don’t Sit On My Jimmy Shands – 04:27
11. Keep Your Distance – 04:12
12. Mother Knows Best – 04:59
13. God Loves A Drunk – 04:44
14. Psycho Street – 04:27
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