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Freaks and Geeks The Complete Scripts Vol. One Novie Script by Paul Feig - Screenplay and Movie Scripts. Happy Anniversary to Freaks and Geeks! The first episode, written by series creator Paul Feig, aired on NBC on September 25th, 1999. Just over twenty years later, the pilot script remains especially high on my list of recommended reading for patrons visiting the WGF Library. FREAKS AND GEEKS 'PILOT' Written by Paul Feig 12-18-98 DreamWorks Television 100 Universal Plaza Bldg. 10 Universal City, CA 91608 (818)695-5000 COPYRIGHT © 1998 DREAMWORKS L.L.C. ALL RIGHTS RESERVED DreamWorks L.L.C. Is the author and sole owner of this material for purposes of the Berne convention and all laws giving effect thereto. JAMES FRANCO SIGNED FREEKS AND GEEKS FULL PILOT SCRIPT AUTHENTIC AUTOGRAPH BAS Comes fully certified with Certificate of Authenticity and tamper-evident hologram. Also backed by HollywoodMemorabilia.com's Authenticity Guarantee.
Written by: Adam Glass
Directed by: John Showalter
Air Date: March 27, 2013NOW
Nighttime.
Scene opens at a waterfall.
Music is blaring on the radio.
The camera pans over the top of a red station wagon parked in the parking lot that overlooks the waterfall and river it’s flowing into. As the song plays on the radio the camera is now inside the car and we watch a couple of teenagers make out. The camera is now outside the car towards the left front side and we see a BLUE VAN drive in from the adjoining road into the parking lot. The camera moves back inside the car and the teenagers are still making out. A shadowy figure runs by the car. The Girl notices and stops kissing the boy.
♪ It's cold outside ♪♪ and I'm not quite ♪♪ ready for the morning light ♪
♪ oh, oh, oh ♪♪ my hands are tied ♪♪ 'cause if I tried ♪♪ to leave this place, I'd surely die ♪♪ hey ♪♪ hey ♪♪ hey ♪♪ I'd surely die ♪
KRISSY
What was that?
SONG ON RADIO
♪ I'd surely die ♪
BOY
What?
SONG ON RADIO
♪ Hey ♪
Krissy turns around in her seat to look all the way around the car.
BOY
There's no one out here but us, Krissy.
BOY continues to kiss KRISSY
SONG ON RADIO
♪ Hey ♪♪ hey ♪♪ I'd surely die ♪
BOY then also sees someone running around the car.
BOY
What?
SONG ON RADIO
♪ I'd surely die ♪
BOY
No, no. No, no, no.
Someone continues to run around the car rapidly. And suddenly the car’s hood flips up. The teenagers seem to become scared and the BOY tries to start the car.
BOY
Okay.
The car won’t start. The BOY grabs a knife from the back seat area and starts to get out of the car
KRISSY
No. No. Don't leave me here! Aiden! Don't leave me here!
ADIAN gets out of the car and closes the door.
KRISSY
Oh, God.
Suddenly the window next to KRISSY shatters and a MAN pulls her out of the car. AIDEN comes up behind the MAN and cuts his head off using the knife he retrieved from the back seat. KRISSY picks herself up and JOSEPHINE comes running up, holding a small shotgun, from off-screen and walks up to AIDEN and KRISSY. While ADIEN stares at the body he seems to be thinking about what he just did. KRISSY calmly walks around the body stepping over part of it.
JOSEPHINE
You okay?
KRISSY
That was close. Next time one of you can be the bait.
Krissy walks over with the other two to look at the head on the ground.
ADIEN looks visible upset as he says:
AIDEN
It's him.
KRISSY
One down. Two to go.
OPENING TITLE FOR SUPERNATURAL SEASON 8
EPISODE 18:FREAKS AND GEEKS
DAYTIME
The camera is looking down an empty street towards a T intersection. A Sheriff car drives out of the Sheriff station parking lot that’s on the left and turns left and as it comes to the end if the T intersection and is about to turn left as the IMPALA drives in from the left and takes a turns towards the camera. The IMPALA take a right hand turn into the Sheriff Station parking lot. Dean is driving and he parks the car in one of the parking lot spaces.
SAM
So, what are we looking at again?
DEAN reaches into the back seat and hands SAM a newspaper. SAM reads his summary of what the paper says out loud.
SAM
'Two young women found near the freeway with their throats ripped out.'
DEAN
Sounds vampy to me.
SAM
Yeah, maybe.
DEAN
Listen, if you want to take a knee on this one if you're not feeling up to it...
SAM
What?
DEAN
You know, the trials, what Cas said that you got what he can't cure.
SAM
Hmm, which means what, exactly?
DEAN
Well, I don't know. You tell me. Are you okay?
SAM
I'm fine. Are you okay?
DEAN
Me?
SAM
Yeah. Um,
Cas dinged you up pretty good.
DEAN
And?
SAM
And I just wanted to make sure
you're okay.
DEAN
What like my feelings?
SAM
If that's what you want to talk about, sure.
DEAN
Okay. I'll tell you what. Why don't I go get some, uh, herbal tea.
SAM
Okay.
DEAN
And you can find some Cowboy Junkies on the dial.
SAM
Eat me, Dean.
SAM gets out of the IMPALA
DEAN
And you know what? We'll just talk it out.
SAM slams the IMPALA door.
DEAN
Good talk.
DEAN gets out of the IMPALA and starts walking toward the Sheriff station after SAM.
DEAN
Nay, great talk! Very healthy!
SAM and DEAN are now seen inside the Sheriff station standing in a hallway showing their “FBI” badges to a SHERIFF.
SHERIFF
FBI? You're here about the Lady Killer Murders, aren't you?
SAM
The Lady Killer Murders?
SHERIFF
Yeah, coined it myself.
DEAN
Congratulations. What can you tell us?
The SHERIFF begins to walk and talk with the brothers to a desk in the busy Sheriff station.
SHERIFF
Well, both victims were female, under 21, and here's the kicker --
they were drained of all their blood.
SAM
Huh.
SHERIFF
Exactly. We found that strange, also. But then last night, things got even stranger.
SAM
Last night?
SHERIFF
Yeah.
The SHERIFF turns the computer monitor on his desk to show the brothers a surveillance video taken the night before.
SHERIFF
We set up a security cam on Fuller's Point for safety purposes. It’s where our local young people like to go make out. Last night, things got crazy.
The SHERIFF then presses play on the video and the brothers watch the scene that played out with KRISSY, ADIEN and JOSEPHINE the night before.
As he watches DEAN recognizes KRISSY from an earlier case he worked on with SAM. DEAN doesn’t say anything.
SHERIFF
Hell of a thing, ain't it?
SAM
Uh, you I.D. any of these people?
SHERIFF
Well, not yet. Crime scene was empty when we got there. No vic, no nothing.
Uh, I'm thinking it's some kind of cult or a drug thing. So I put a statewide A.P.B. out on these three about an hour ago.
DEAN
I'm gonna need you to call that off. And we're gonna need this footage.
SHERIFF
What?
DEAN
Sheriff, why do you think we're here? You just crossed streams with a federal investigation.
Now, I suggest you cooperate, call off your A.P.B., or you're gonna find yourself in a world of hurt.
The SHERIFF looks confuses but compliant.
SHERIFF
Uh...Right.
SAM and DEAN walk out of the sheriff’s station and back to the IMPALA.
SAM
So, what was that all about, G-man?
DEAN
You remember Krissy Chambers?
SAM
Uh, yeah, the Vetalas case, right? They were working that truck stop by the freeway. She and her dad
helped us shut 'em down.
DEAN
Right, and then he promised to go civilian so she wouldn't grow up to be a hunter. Well, guess who the star
of this snuff film is?
SAM
Come on. Well, maybe he doesn't know she's doing this.
DEAN
What, sneaking out in the middle of the night to go hunt monsters with the Apple Dumpling gang?
Is that what kids are doing for kicks these days?
SAM
Okay. Then maybe he knows, and he's helping her out.
DEAN
What, get caught on 'Candid Camera'? Let's just go find her before she gets into any more trouble.
DEAN and SAM get into the IMPALA with DEAN driving. As SAM gets in he looks frustrated.
¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬
NIGHTIME
KRISSY is standing at a counter showing a fake Kansas STATE ID to a HOTEL CLERK.
CLERK
You're 25?
KRISSY reaches into her pocket and pulls out two twenties and sets them on the counter.
KRISSY
Actually, I think I'm 40.
The CLERK gives her a half smile as he takes the money and hands her a room key. KRISSY takes the key and walks down a hallway away from the hotel counter.
Inside the hotel room KRISSY takes out a laptop while AIDEN looks in some bags. AIDEN stops what he is doing and walks up behind KRISSY and starts to put his arms around her but KRISSY stops him.
KRISSY
I told you...I have a boyfriend.
AIDEN
Then how come I couldn't find him in your cellie?
KRISSY
Because we only Skype.
AIDEN
Right. And let me guess --he also lives in Canada?
KRISSY
You know, he does, actually. Oh. A small town called 'kiss my ass.'
AIDEN
Okay. But... You sure were giving off a different vibe in the car.
JOSEPHINE walks into the hotel room.
KRISSY
Good. You're back. Let's do this. Vamp was last seen by an ATM camera checking into this hotel.
I tapped into the hotel's security cams and found him. Room 215.
All three look at the ATM video. Then AIDEN puts on a headset with a camera and mic attached.
ADIEN
Okay. Let's do this.
KRISSY
You transmitting?
ADIEN is wearing a mic and headcam and to show he is transmitting he kisses the end of the mic that is on the cord to his headset. KRISSY rolls her eyes and looks at JOSEPHINE and both girls sigh.
ADIAN
You bet.
The girls turn to look at the laptop that shows live video of the hotel room door that the VAMP is staying in. The JOSEPHINE grabs a big handgun off the table. AIDEN slides a machete into a sheath attached to his side.
JOSEPHINE
He alone?
KRISSY
I can't tell.
AIDEN
Hey, how about we start a new tradition, and before each job, we give each other good-luck kisses?
JOSEPHINE
How about I punch you in the throat instead?
The JOSEPHINE rolls her eyes and turns to walk out of the room as KRISSY smiles mockingly at AIDEN and he then puts a backpack over his shoulder and follows JOSEPHINE out of the hotel room.
AIDEN watches JOSEPHINE walk in front of him and she turns her head to talk to him as the walk down the hallway towards the VAMPS room.
JOSEPHINE
You know you're not gonna get anywhere with Krissy with those cheesy moves.
AIDEN
How about you stop putting salt in my game and mind your own business?
JOSEPHINE also has a headcam on that she looks through when AIDEN responds to her. KRISSY is able to watch the conversation back in their hotel room and she rolls her eyes.
ADIEN sees something on the floor so he squats down to get a closer look. He smudges the substance with two fingers and holds his hand up so it can be seen.
JOSEPHINE
Blood?
AIDEN lock picks the VAMPS room. KRISSY watches the live video intently on her laptop.
The door to the teenager’s hotel room opens slowly as SAM steps inside after picking the lock. SAM and DEAN step into the room and look around. Suddenly there is a gun clicking sound and the camera pans so that you see KRISSY standing off to DEAN'S left just behind him. DEAN doesn’t look at KRISSY before he says:
DEAN
Hey, Krissy.
KRISSY
What are you two doing here?
DEAN
Saving your bacon, that's what.
KRISSY
Does it look like my bacon needs saving? Wait. How'd you find me? I paid cash everywhere.
DEAN
Only two hotels within a 20-mile radius, and we paid cash, too -- just more.
KRISSY
Freaking clerk.
SAM
Krissy, where's your dad?
KRISSY
Dead. Well, let's do this again, like, never. Now go. We got this.
SAM
We who?
DEAN
And got what?
While the brothers ask KRISSY questions the other two teenagers are slipping slowly into the VAMP'S room. KRISSY walks back over to the laptop to watch.
KRISSY
A vampire.
DEAN
Sorry. A what?
The brothers walk over to watch the live video with KRISSY. They see a hotel room with a woman strapped to a bed.
JOSEPHINE
We're in. The room's clear. Nobody here but a vic.
We continue to see the VAMPS room on live video when a loud noise happens and AIDEN turns around to see the VAMP behind them after the VAMP slammed the door. The VAMP is hissing and he tosses JOSEPHINE into a wall and then he and AIDEN do a stand off when DEAN and SAM rush into the room through the door behind the VAMP. The VAMP turns and sees DEAN and SAM and then run and jumps out the nearby closed window. Dean walks over to the window and looks out. They are on the second story. The VAMP runs across the street and the BLUE VAN that showed up the night that AIDEN and KRISSY were making out in the car is across the street running.
KRISSY
I got him!
KRISSY runs out of the hotel room to chase the VAMP.
DEAN
You –
Steps away from the window angrily to chase after KRISSY and the VAMP.
DEAN
son of a bitch.
SAM
We need to call an ambulance!
JOSEPHINE
Ambulance is on its way. She's in shock. I'll stabilize her. We'll leave her here for the paramedics.
DEAN bursts out of a sidedoor of the hotel and begins to run down the street where KRISSY is holding a tranq gun up chasing the VAMP.
VAMP
Please!
Don't shoot me!
KRISST shoots the VAMP in the leg next to his knee and he falls to the ground and turns over to face KRISSY and DEAN who is now standing next to KRISSY.
VAMP
Don't shoot me! Please, don't --Please...It hurts so bad!
DEAN
How did you drop him so quickly?
KRISSY
Darts filled with dead man's blood.
DEAN
Where's the blue van?
KRISSY
What blue van?
DEAN
The blue van that he was seen bolting to? Never mind.
DEAN takes out a knife from a side holster to kill the VAMP.
KRISSY
Wait, stop! This is not your kill.
DEAN
What are you talking about?
JOSEPHINE
Three months ago, this blood banger snuck into a house and killed three people in their sleep.
VAMP
What?! No! I didn't do that!
JOSEPHINE
One was a woman --never hurt anyone! The other two, a brother and a sister.
VAMP
I don't know what you're talking about.
JOSEPHINEI came home from a friend's house, and I found them. They were my family!
VAMP
This isn't happening. I didn't do anything, I swear. Please, help me!
JOSEPHINE ignores the VAMP and takes a machete that she had at her side and slices his head off. DEAN looks around hoping no one sees and SAM looks very angry. KRISSY walks up behind JOSEPHINE to comfort her.
KRISSY
It's okay. It's over.
DEAN looks at KRISSY with a scornful look.
DEAN
We need to talk to you privately.
AIDEN
You know this guy?
KRISSY
Yeah. We have a past.
DEAN
All right. So, you're gonna have to catch me up. What --did your dad, uh --he couldn't quit the life, could he?
KRISSY
No, he did. For a while, it was amazing. We had dinner every night at a table. We watched TV, went on walks.
Even went to the mall.
DEAN
And then?
KRISSY
And then...The past came a-knockin'. I woke up one morning and found him dead.......his throat ripped out.
DEAN
Well, I'm sorry.
KRISSY
Me too. If it weren't for Josephine and Aiden, I don't know how I would have made it.
DEAN
So, they both lost their families, as well?
KRISSY
Yeah, the same vamps we're hunting together --a nest.
DEAN
Well, look, I am sorry to rain on your parade, but you are way too young to be doing this.
KRISSY
You're never too young to kill monsters, especially the ones that kill your family.
DEAN
Hunting isn't all about killing and revenge. I thought we had this chat last time. Do you have any, uh --
do you have any family that's still out there?
KRISSY
An aunt in Cincinnati. Why?
DEAN
'Cause you're packing a bag, and we're taking you there.
KRISSY
I think Victor's gonna have a problem with that.
DEAN
Victor?
KRISSY
He took us in, showed us everything we know.
DEAN
Wait. So, what are we talking here? Some sort of kid's school for hunters?
KRISSY
Don't be such a dweeb, okay? We're not the X-Men. Victor's helping us get revenge.
DEAN
Yeah, well, I don't care what he is. He sucks. 'Cause you and your little crew here got caught.
And if it wasn't for me, your faces would be splattered all over the news.
KRISSY
Well, you know, so what?! Maybe it's time that people know the truth about what's really going bump
in the night.
DEAN
Oh, and cause panic? Create mayhem? Yeah, that's a great plan.
KRISSY
Look, I don't need you to save me, Dean. I'm not a little kid anymore.
KRISSY walks away from DEAN.
DEAN (silently)
Wow.
KRISSY walks over JOSEPHINE and ADIEN and helps them wrap the dead VAMP in a plastic bag.
DEAN walks over to SAM who is standing a few feet away from the teenagers.
SAM
What happened?
DEAN
Teenagers, that's what.
SAM
She tell you about Victor?
DEAN
Yeah. What do we think?
SAM
Well, didn't we meet up with a hunter named Victor one time in Spokane?
DEAN
That's a long time ago. I haven't heard about him since.
DEAN and SAM look at the kids while the finish duct tapping and wrapping the body.
SAM
All right, so, these kids are --
DEAN
Dangerous and off their meds? Yeah, no kidding.
SAM
So, what? We go and talk with Victor?
JOSEPHINE
Ready?
JOSEPHINE AND ADIEN toss the body in the back of their red station wagon. KRISSY then tosses the wrapped head in after it.
KRISSY
Okay.
KRISSY slams the back of the station wagon shut.
They slam the back of the station wagon shut.
SAME NIGHT
The IMPALA and the red station wagon pull up to a house and park and everyone gets out and heads up to the house. SAM and DEAN follow the group in.
DEAN
Not what I'd call a compound.
Everyone walks in the house which is big with two stories. SAM and DEAN step in and walk off to the left and look around.
DEAN
Huh.
KRISSY
What's wrong?
DEAN
It's just not what I expected.
KRISSY
And what was that?
DEAN
A little more 'Lord of the Flies', less Huxtables.
VICTOR walks down from the second story
VICTOR
Sorry to disappoint. Victor Rogers.
SAM
We met -- a Rugaru hunt in Washington. I'm Sam. This is Dean.
VICTOR
Oh, yes. The Winchesters. Right.
JOSEPHINE walks up slowly looking at the brothers then back at VICTOR who then hugs her.
VICTOR
Hey.
JOSEPHINE
Ohh.
VICTOR
Better now?
JOSEPHINE
Much.
VICTOR
And what do we always say?
JOSEPHINE
Move on, but never forget.
VICTOR
Good. Now, don't you have a trig test in the morning?
JOSEPHINE, smiles, remembering and then walks upstairs. AIDEN walks from the kitchen with an apple in his hand. VICTOR turns to look at him questioningly.
AIDEN
Oh, I'm good, Vic. No test. I'm just gonna chill,
VICTOR
Uh-huh.
AIDAN
Play video games.
VICTOR
Yeah, keep dreaming. Because I asked you to clean your room twice and you still haven't done it.
Go on.
AIDEN rolls his eyes and walks away while taking a bite of his apple. KRISSY walks from the front room over to where VICTOR is still standing by the stairs.
VICTOR
And you.
KRISSY
A full report about the hunt on your desk by morning.
VICTOR clasps his hands together in front of his chest and slightly bows in appreciation.
KRISSY
Okay. I'll be in my room.
KRISSY walks around VICTOR and walks upstairs. VICTOR looks at SAM and DEAN.
VICTOR
Drink?
DEAN
Sure.
The next scene shows DEAN and SAM sitting on the same couch and VICTOR walking to a chair across from them and sitting down.
SAM
So, these kids go to school --like, school-school, real school?
VICTOR
Yes, and they're doing incredibly well considering all they've been through.
DEAN
Okay, so how does this work? What, after -- after soccer practice and --and the bake sale,
they, uh, chop vampires' heads off?
VICTOR
Well, yeah. I think a balanced approach is best, don't you?
DEAN
They're kids. They shouldn't be hunting at all. You got to break this up right now.
VICTOR
When I found them, they were lost, confused, angry. I gave them family and purpose.
And you want to take all that away? Why?
SAM
So they don't get killed.
VICTOR
They know the risks.
SAM
Yeah, but why take them?
VICTOR
Because the next generation of hunters has to be better.
SAM
Better than what?
VICTOR
Better than us. Oh, come on, guys. I know your friends. I mean, Martin was insane.
And somebody obviously dropped Garth on his head when he was a baby.
And I know you two loved that Bobby guy, but he was a barely functional alcoholic.
DEAN
Watch it.
VICTOR
No disrespect meant, but Josephine is an all-state athlete and National Merit scholar.
Aiden is so fast he could pick your pocket before you could even blink. And Krissy,
oh she's just a natural-born leader and hunter.
DEAN
So what?
VICTOR
So these kids are the cream of the crop. They are the Beatles. They are the dream team.
And once they get their revenge......they'll be better hunters than any of us ever dreamed of.
Scene skips to DEAN and SAM walking down the front path of VICTORS house.
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DEAN
This is crazy.
SAM
Is it? They got a pretty good life.
DEAN
Kids aren't supposed to hunt, Sam.
SAM
We did.
DEAN
Yeah, and look what that did for us.
SAM
Well, maybe they're doing it right. Maybe they can hunt and have a real life.
DEAN
You know that's not true.
SAM
Why, 'cause it didn't work for us?
DEAN
Because it doesn't work for anybody.
SAM
Okay, then what do you want to do? 'Cause Victor's not gonna stop this.
DEAN
They said they were hunting a nest, right?
SAM
Yeah.
DEAN
Well, let's hunt it for 'em. Well, that way, until we can figure out what to do with Victor, they stay safe.
SAM
All right, um...So, what's your move?
DEAN
I want to talk to that girl who was tied up at the hotel. Something didn't smell right about that.
Why don't you stay here and look after the Brady Bunch?
SAM nods and turns to walk back into the house. DEAN drives off in the IMPALA and the BLUE VAN pulls up across the street with a hooded person in the driver’s seat. The camera shows the driver, who is a male, as he pulls off his hood and stares menacingly at the house.
DAYTIME
The next morning.
JOSEPHINE is sitting at the kitchen table doing homework while ADIEN and KRISSY are rushing around the dining room getting ready for school as SAM walks in and is stretching after apparently spending the night in the house and just waking up.
VICTOR
Sam, just in time. Grab a seat.
SAM
Waffles?
VICTOR
Yeah, Krissy's fave.
KRISSY
My dad used to make 'em for me all the time. I think it was the only thing he knew how to cook.
Victor removes the book from in front of JOSEPHINE.
VICTOR
Interact.
AIDAN
Yeah, nerd.
VICTORS taps at AIDEN'S elbow which is on the table. SAM sits down at the table.
VICTOR
And you -- manners.
JOSEPHINE
We're gonna be late.
VICTOR
Come on. Grab your stuff. I'll pick you up after school.
KRISSY
See ya.
The KIDS leave.
SAM
Wow.
VICTOR
Whirlwind, right?
SAM
Yeah.
VICTOR
It's always like that with kids. You got any?
VICTOR clear plates and walks into the kitchen. SAM gets up and follows him.
SAM
Me? Uh, no.
VICTOR
You want any?
SAM
Uh, I don't know.
VICTOR pulls out a wallet and starts to bring out pictures of his family.
VICTOR
Trust me, the answer's yes.
He shows the wallet with the picture of his wife and kids.
SAM
These yours?
VICTOR
Yeah. Well, until we went camping and a Wendigo ripped them to shreds.
SAM
Sorry. Is that why you're doing this, taking all these kids in?
VICTOR smiles and nods at SAM
VICTOR
But you know what I realized, Sam, is that these kids, they don't have to live it the way we have.
You know, crappy hotel rooms, always moving, no family, no life. It's not the only way.
SAME DAY
Sheriff Station
DEAN walks through the Sheriff station with the GIRL who was tied up in the hotel room.
GIRL
Like I told the cops already, I'm not sure why Jimmy Day would do something like this.
DEAN
Jimmy Day? Wait, so you knew the guy that grabbed you?
GIRL
Everyone in town knows Jimmy. He's a hero. We had a parade for him downtown when he came back
from Afghanistan.
DEAN
Uh, sorry. When was this?
GIRL
A few weeks ago.
DEAN
So, uh... this Jimmy Day guy, he -- he just grabbed you and took you to the hotel?
GIRL
No. I-I came from work and was in the parking lot when this blue van pulled up. This guy with a hoodie
asked me directions. That's all I remember, till I woke up tied to that bed.
DEAN
And was hoodie there, too?
GIRL
Just Jimmy, and he was crying, saying he was sorry and all. That he was sorry?
At first I thought he was gonna kill me. But then he just... he just seemed scared.
SAME DAY
The camera pans over pictures of VICTOR, KRISSY, JOSEPHINE and AIDEN taken in different poses and in different groups together. The camera lands on SAM picking up one of the pictures and chuckling to himself. SAM sets down the picture as he hears the front door open. He turns to the open door.
SAM
Hey. What happened to school?
KRISSY, ADIEN and JOSEPHINE walk in and KRISSY ignores SAM.
ADIEN
Victor pulled us out.
SAM
Why?
VIDCTOR walks in with a folder in his hand.
VICTOR
'Cause we've found another target.
SAMWho?
VICTOR
The vamp that killed Krissy's dad.
VICTOR looks at KRISSY concerned.
VICTOR
You ready?
KRISSY nods up at VICTOR
VICTOR
Okay.
VICTOR sets the folder on the table and opens it revealing surveillance pictures and a composite sketch of a woman.
VICTOR
Pulled this from a security camera at a nearby gas station.
SAM
Wait, how do we know this is definitely her?
VICTOR
Sheriff sketch, victim's accounts... ...and this.
VICTOR shows a surveillance photo of the woman walking into the gas station wearing a moon shaped charm on a necklace.
KRISSY
My dad's necklace. My mom gave it to him on their anniversary.
SAM
Are you sure this is a video surveillance pic?
KRISSY
It's her!
SAM'S cell phone begins to ring and he takes it out of his pocket placing the picture of the woman he picked up back on the table. He walks away to take his call in private.
SAM
Excuse me.
DEAN
Hey. You there?
SAM
Yeah. How did it go
with the girl?
DEAN
Strange. Might be that vampire wasn't lying. He was fresh made within the month, but Josephine's family was murdered three months ago.
SAM
So, who killed them, then?
DEAN
I don't know. I'd like to talk to whoever's driving that blue van. Other than that...You?
SAM
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Something's up. Victor says he has a surveillance photo of the vampire that killed Krissy's father.
But, Dean...I'm not so sure.
DEAN
Why's that?
SAMThere's no time stamp on it.
DEAN
Okay. So you think he's lying?
SAM
Well, that, or he's just wrong. It's hard to say.
DEAN
Yeah, I never trust a guy who wears a sweater. You want me to head back there?
SAM
No, no. I'm good. Let me do some more digging.
DEAN
All right. I'm gonna talk to the hotel clerk, see what he knows.
SAM clicks end call on his phone and as he is putting it in his pocket he notices a BLUE VAN right outside the house across the street. SAM starts to walk hurriedly back to the back of the house to the kitchen where he just left and sees that everyone but VICTOR is already gone.
SAM
Hey. Where did everybody go?
VICTOR
Tracking that vamp.
SAM
Well, I think we got a problem a lot closer to home. Look at this.
SAM gestures toward the front window as he walks back over to it and VICTOR follows him and then looks out the window.
SAM
See that blue van? My brother saw it outside the hotel yesterday. We think he's working with the vampire we popped.
VICTOR
Looks like we're going huntin'.
SAME DAY
HOTEL
FRONT DESK
DEAN walks in and over to the front desk counter to talk to the HOTEL CLERK.
HOTEL CLERK
Ahh. Nice to see you again.
DEAN starts to take money out of his wallet.
DEAN
Yeah, I bet. Listen, I need to know who, uh, checked into room 215 yesterday.
DEAN sets $60 on the counter and the HOTEL CLERK starts counting it. He shuffles through the money.
HOTEL CLERK
215. It was some guy wearing a hoodie, so it was hard to make out his face.
DEAN
He drive a blue van, by any chance?
HOTEL CLERK
Do I look like a valet?
He took one of those.
The HOTEL CLERK gestures to the mass of brochures lining the wall to his right. DEAN walks over and looks at the brochures intently.
DEAN
Which one?
HOTEL CLERK
The one that says 'lodge' on it.
DEAN
'Conway Springs Lodge.'
HOTEL CLERK
Yep, big during the summer season. But this time of year, it's closed.
DEAN
How far away is it from here?
HOTEL CLERK
Oh, it's a couple miles down the road.
SAME DAY
OUTSIDE VICTORS HOUSE
SAM is walking outside the BLUE VAN and looking inside the driver’s window. The BLUE VAN is empty.
SAM and VICTOR walk towards the back of the BLUE VAN and down the street to locate the driver.
SAME DAY
ON A BACK COUNTRY ROAD
DEAN is driving the IMPALA up to a camping hotel and he passes a wooden sign that reads “Conway Springs Lodge” on it. A smaller sign hangs bellow it that reads “CLOSED FOR THE SEASON”
DEAN parks the IMPALA next to the sign and cuts off the engine. DEAN gets out of the car.
DEAN looks around to see if anyone is around and then begins walking up the buildings to his front. He slides his machete out of a sheath from his left side as he walks up to a door that’s cracked open already. DEAN opens the door a little more and grabs a flashlight out of his pocket with his right hand and shines it in the doorway. He then pushes his way into the building and walks in slowly shining his flash light around showing a large stuffed bear.
DEAN continues to walk around the very large room shining his flashlight in different spots as he goes until he shines it on a girl who is sitting on the bottom of a bunk bed.
DEAN
Hey! Who the hell are you?!
It’s the same GIRL from the photo VICTOR showed SAM and the kids back at VICTOR’s house and she looks scared, weak and dirty. The GIRL shies away from the light and starts sobbing.
DEAN
Answer me!
GIRL
Please make it go away. It hurts so much.
DEAN
What? Wha...
DEAN sees a light switch on the wall and walks over and flips the lights on.
GIRL
No, shut them off! They're too bright!
DEAN
Not till you tell me what the hell's going on here.
GIRL
I don't know!
The girl suddenly has vampire teeth pop out and she brings her hands up to her face to feel them.
GIRL
Aah! What's happening to me?
DEAN
Come here.
DEAN quickly moves over to the GIRL and yanks her up off the bed and puts the machete to her neck.
DEAN
That's never happened to you before?
GIRL
No. No, there's something wrong with me. That -- that guy, he did something to me.
DEAN
What guy?
GIRL
I don't know! This guy in a blue van, he -- he grabbed me. He took me here.
The GIRL starts to bend over in pain.
GIRL
Oh, my stomach. It hurts so much.
A gun comes into view behind DEAN.
KRISSY
Dean!
DEAN turns around at the sound of his name and sees KRISSY, ADIEN and JOSEPHINE standing behind him with guns pointed at the VAMPIRE GIRL. DEAN puts up a hand to stop them and they look at DEAN angrily.
SAME DAY
IN VICTORS NEIGHBORHOOD
SAM and VICTOR walk around an area in VICTOR'S neighborhood that has trees but no houses around. SAM sees a suspicious person run in front of him and duck behind a tree. Sam motions to VICTOR to go on the other side of the tree while he goes on one side. VICTOR smiles and takes a gun from his sweater pocket. The hooded guy waits quietly. Just as SAM is about to attack the hoodie guy, VICTOR comes up behind SAM and hits him over the head with his gun. The hooded guy walks out from behind the tree and smiles at VICTOR who returns his smile. The camera looks back at the hooded guy as vampire teeth pop out while he is still smiling.
SAME DAY
CONWAY SPRINGS LODGE
DEAN
Put those away, and we can talk.
KRISSY
Why are you with the vampire that killed my dad?
DEAN
You're barking up the wrong tree. She didn't kill your pops.
KRISSY
I don't want to hurt you, Dean, but I will if you don't move.
DEAN
Listen to me, Krissy. She's innocent.
JOSEPHINE
And how would you know that?
DEAN
Because she's fresh made, a day or two. Her dad was killed months ago. This whole thing stinks. That vamp that we killed last night? Why was he swearing that he didn't do it?
ADIEN
Because he was a liar.
DEAN
Vampires don't beg for their lives. They attack. Look, last time I'm gonna ask you nicely. Take the damn guns off me, or somebody's gonna get hurt.
AIDEN
Big talk.
DEAN quickly moves and disarms AIDEN clears his gun and lets the rounded chamber fall to the floor.
DEAN
I know. It is, isn't it?
KRISSY
So, let's say this isn't the vamp who killed my dad. She's still a monster and deserves to die.
DEAN
Not if we can save her.
AIDEN
What?
DEAN
She hasn't fed yet. We can reverse this if we find her maker and get his blood.
AIDEN
And why should we care about her?
DEAN
Like I said, hunting isn't always about killing.
ADIEN
Oh, please. Preach to some other choir. We're not buying it.
DEAN
You want to kill an innocent girl?!
KRISSY
I want the blood sucker who killed my dad to pay.
DEAN
And we're gonna find out who that is. But let's not be so bloodthirsty that just anyone will do.
Geeks And Freaks Script Font
JOSEPHINE
But Victor says it's her.
DEAN
And I say it ain't! So we're gonna pack her to go, and we're gonna ask Victor ourselves. Okay?
NIGHTTIME
VICTORS HOUSE
SAM starts to wake up from the blow to the back of the head and he is tied to a chair in VICTOR'S living room.
VICTOR is sitting on a couch next to SAM. The HOODED VAMPIRE stands nearby.
VICTOR
You're awake. Good. We don't have much time.
SAM
For what?
VICTOR gets up and starts turning over furniture.
VICTOR
Picture this. The kids arrive home victorious, only to find you dead in their living room. It seems that nest of vampires they were hunting were seeking revenge......and killed you. Thus, inspiring them to hunt even more.
I'm sorry, Sam. I can't have anyone poisoning my kids' minds.
SAM
Other than yourself, that is.
VICTOR
I don't need to justify my actions to you or your self-righteous ass of a brother!
SAM
You mean like why you're working with a vampire? So what's he get out of this? Free roaming rights?
VICTOR
We are at war --a war that we are losing. That Leviathan fiasco was a wake-up call.
We have to do what we can to survive. But I wouldn't expect you to understand.
You're not a father. You don't know what it's like to hear the cries of your children dying.
But now I have a second chance to make it all right, to create the next generation
of hunters -- stronger, faster, smarter.
The front door opens suddenly and VICTOR pulls out his gun and points it at it.
DEAN
Hey, we're home.
The HOODED VAMPIRE smiles at the kids when they come in showing off his vamp teeth.
JOSEPHINE
What is going on here?
VICTOR
These two are not to be trusted. They're trying to destroy us.
AIDEN
Do you know this vamp, Victor?
SAM
Of course he does! They're working together!
AIDEN
Is that true?
VICTOR
It's complicated.
DEAN
No, actually, it's not. See, blue van here's been turning fresh vamps and setting them up for you kids as easy kills.
JOSEPHINE
But why?
KRISSY
Because they didn't kill our families, did they?
VICTOR
No.
JOSEPHINE
Well, then who did?
HOODED VAMP
I did. And they all screamed......and begged for mercy, especially the little ones.
VICTOR
Enough, Seth!
VICTOR still holding a gun on DEAN looks at the kids and tries to explain.
VICTOR
You have to understand. I saw a way to make the future better. But to get there, I had to do something hard.
KRISSY
He killed them off your orders?
VICTOR
You needed motivation. I scouted each and every one of you. And knew it was the only way to get you to hunt.
AIDAN
So you killed our families?
VICTOR
I know, the deaths are tragic. But think of all the future lives that will now be saved because you are now together.
KRISSY
So, these fake vampires were just a way for you to train us and fill our heads with lies?!
VICTOR
Don't you see? This is bigger than all of us. We have to learn to put things in perspective. Come with me. We can get past this.
VICTOR gently tosses his gun on the couch. KRISSY steps closer to JOSEPHINE and AIDEN and looks at them and they look at her and she shakes it “no”.
VICTOR
That is unfortunate.
VICTOR gives a side look to the SETH and SETH quickly moves over to AIDEN and grabs him. DEAN uses this time to draw a handgun from a side holster which he then points at SETH. SETH turns AIDEN to face the others and hisses at AIDEN'S ear with his teeth out fully.
KRISSY
Aiden!
VICTOR
We're leaving.
KRISSY steps in front of VICTOR to stop him.
KRISSY
That's not happening.
VICTOR
I taught you everything you know. Don't make me hurt you.
KRISSY
Not everything, Victor.
KRISSY signals JOSEPHINE who pulls out a knife and trys to stab VICTOR with it but he is able to stop her. Meanwhile KRISSY quickly pulls out a tranq gun and shoots one shot into SETH's eye and another in his chest. SETH falls over. As VICTOR turns around to face KRISSY again she's already pulling out a hand gun and pointing it at him.
DEAN
Krissy, don't.
KRISSY
If we want revenge for our families' deaths, he gives it to us!
DEAN
We don't kill people. You don't kill people.
KRISSY
He's not a person. He's a monster.
KRISSY steps towards VICTOR who backs up slowly and then falls to his knees.
SAM
Krissy, this ends bad, no matter what we do.
KRISSY is now pointing the gun directly at VICTORS head.
KRISSY
Exactly.
KRISSY cocks her gun and DEAN lowers his and takes a stop towards her.
DEAN
Krissy, don't.
KRISSY
This is for my dad.
She pulls the trigger but it only dry fires. (The gun is empty) VICTOR jumps back at the sound and gasps frantically. KRISSY continues to pull the trigger.
KRISSY
For Josephine's family.
KRISSY pulls the trigger again.
KRISSY
For Aiden.
KRISSY pulls the trigger again.
KRISSY
For me.
At each dry trigger pull VICTOR becomes more and more distraught and when KRISSY is done she drops the bullets that weren’t loaded in the gun and drops them near VICTORS head which is almost on the ground as he sobs. KRISSY turns to look at DEAN
AIDEN
So, we're just gonna let him live?
KRISSY then turns to look at AIDEN.
KRISSY
Yeah. All alone, with himself. No family. No friends. Ask me, that's not much of anything.
KRISSY turns back to DEAN
KRISSY
Let's save that girl.
While VICTOR is sobbing on his hands and knees on the floor he pulls a gun from his sock holster.
JOSEPHINE
Gun!
Geeks And Freaks Script Pastebin
Before anyone can get to him, VICTOR puts the gun to his head and pulls the trigger killing himself instantly.
NEXT MORNING
VICTORS HOUSE
AIDEN is sitting next to the GIRL VAMP from the LODGE on the couch in the living room. JOSEPHINE is sitting on the coffee table in front of her and KRISSY hands her a glass of the vampire cure.
JOSEPHINE
Just drink slowly.
JOSEPHINE then hands the glass to the GIRL VAMP.
JOSEPHINE
This will take away all the pain.
KRISSY then walks over to SAM and DEAN who are standing near the front door.
DEAN
Proud of you.
KRISSY
Shut up, before I punch you.
SAM
So, how's she doing?
KRISSYBetter now.
SAM
Oh, um...
SAM pulls out KRISSY's dad's necklace and hands it to her.
SAM
I think this is yours.
KRISSY
Thank you.
SAM
I'll wait outside.
DEAN
Okay. Whenever you're ready, we'll be in the car.
KRISSY
What are you talking about?
DEAN
Your aunt? Cincinnati? Normal life? We'll be there by lunch tomorrow.
KRISSY
Look, I hate how we were put together, but...I can't deny that it feels right. And why should I let Victor
ruin that, too?
DEAN
So, what you're saying is that you like that boy over there and you want to stay?
KRISSY
What? Aiden? No. I mean... He's like my brother. It's nothing like that.
DEAN
Well, you're all still minors.
KRISSY
Not for long. Josephine will be 18 in a few months. And we all have a life and each other here.
DEAN
And hunting?
KRISSY
We won't go looking for it.
But if any monsters show up
around here, they better look out.
DEAN
Okay. Good.
KRISSY
Really? I thought I was gonna have to fight you way more on that.
DEAN
Well, you're right. You're not a kid anymore. You can make your own decisions.
KRISSY
You're all right for an old guy.
DEAN
I'm really not that old.
KRISSY
You keep telling yourself that.
DEAN
Huh. All right. Well, I'm gonna have a, uh --a guy come and check on you every once in a while, okay?
His name is Garth. He'll make sure that you're all right and you got what you need.
KRISSY
Garth?
DEAN
Yeah. He's a little strange at first, but you'll come to love him.
DEAN holds up a closed fist for a “pound it” but instead KRISSY grabs his fists and gets on her toes to kiss him on the cheek which makes DEAN smile.
KRISSY
Take care, Dean.
KRISSY walks off back to where JOSEPHINE and VAMP GIRL are still sitting and AIDEN stares at DEAN from down the hallway.
AIDEN
Yeah. Goodbye, Dean.
AIDEN then tries to duck back into the kitchen. But Dean calls him over.
DEAN
Aiden. Listen, there's, uh, something I want to tell you about Krissy.
AIDEN
I know. I know. You'll kill me if I ever hurt her. Blah. Blah. Blah.
DEAN
No, no. No. She'll kill you.
DEAN pats AIDEN on the back and walks out the door.
DEAN
Good luck.
AIDEN looks horrified back at KRISSY who only smiles back at him. AIDEN closes and locks the door behind DEAN.
SAM
This is good.
DEAN
Is it?
SAM
Could have been a lot worse.
DEAN
Will be if we don't shut those Gates of Hell soon.
SAM
What do they have to do with any of that?
DEAN
They're hunters now. You don't just walk away from that. There's only one way out of that,and you and I both know
it ain't pretty.
SAM
Maybe they'll be different.
DEAN
Or maybe if we shut that hell hole once and for and all, those three can have a real life.
SAM
Maybe they won't be the only ones.
SAM and DEAN get into the IMPALA and drive off down the street.
SCENE ENDS.
CREDITS ROLL.
Series by coverWorks (2)
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| Series descriptionRelated seriesRelated new seriesRelated new publisher seriesSeries?!How do series work?To create a series or add a work to it, go to a 'work' page. The 'Common Knowledge' section now includes a 'Series' field. Enter the name of the series to add the book to it. Works can belong to more than one series. In some cases, as with Chronicles of Narnia, disagreements about order necessitate the creation of more than one series. Tip: If the series has an order, add a number or other descriptor in parenthesis after the series title (eg., 'Chronicles of Prydain (book 1)'). By default, it sorts by the number, or alphabetically if there is no number. If you want to force a particular order, use the | character to divide the number and the descriptor. So, '(0|prequel)' sorts by 0 under the label 'prequel.' What isn't a series?Series was designed to cover groups of books generally understood as such (see Wikipedia: Book series). Like many concepts in the book world, 'series' is a somewhat fluid and contested notion. A good rule of thumb is that series have a conventional name and are intentional creations, on the part of the author or publisher. For now, avoid forcing the issue with mere 'lists' of works possessing an arbitrary shared characteristic, such as relating to a particular place. Avoid series that cross authors, unless the authors were or became aware of the series identification (eg., avoid lumping Jane Austen with her continuators). Also avoid publisher series, unless the publisher has a true monopoly over the 'works' in question. So, the Dummies guides are a series of works. But the Loeb Classical Library is a series of editions, not of works. |